Classroom expectations

CLASSROOM EXPECTATIONS MY FIRST AND MOST IMPORTANT EXPECTATION IS THAT YOU DO YOUR PERSONAL BEST. THERE ARE NO “WON’TS” OR “CAN’TS”. 

YOU WILL NEED TO GET A SKETCHBOOK THAT IS 9 X 12 OR LARGER. WEEKLY ASSIGNMENTS WILL BE GIVEN ON MONDAYS AND DUE ON FRIDAYS. THESE COUNT FOR 20% OF YOUR GRADE.

RESPECT For class environment- Students are expected to arrive on time. Please be seated and ready for class to begin once the bell has rung. The three strike policy is in effect. At your third tardiness without a valid pass, detentions begin. Talking about class-appropriate topics at your own table is fine unless it is disrupting to you, others or Mr. P. 

Music will be allowed in class when dialogues are not in progress. Feel free to bring in music that is appropriate for school. Headphones are negotiable but they are a privilege, not a right. The use of cell phones during class time is not allowed even if it your parents calling/texting. Phones should be off and out of sight during class. Texting in class will result in the following: 1st offense is a warning, 2nd offense results in your phone being taken for the class period, 3rd results in your phone being handed over to Mr. Dredge for you to pick up at the end of the day, and 4th offense will require your parents to see Mr. Dredge to get your phone back. If there are occasions that phones can be used for reference or purposes directly related to classroom activity, please ask Mr. P for permission. 

For others- You are expected to extend common courtesy to others. Be helpful and pleasant. Never make fun of another student, or his/her artwork. Please make marks on your artwork only. Keep criticism constructive please. Use language responsibly please! For materials- Use materials only as directed. Do not use materials that you do not have permission from Mr. P for, some can be dangerous. Let’s not waste materials, they are expensive and often not easily replaced. For Mr. P- Please ask before removing anything from Mr. P’s desk or cabinets etc... 

Please be attentive when the class is being addressed. One cannot effectively talk and listen simultaneously.

For time- Since we do not have a lot of time and setting up/cleaning up uses up that time, please use class time wisely. A large part of your grades are dependent on how you use your time. Never leave the room without letting Mr. P know your destination. Please remain seated until the bell rings, no lining up at the door.

SAFETY Do not throw anything Always act with regard for safety Be aware of evacuation procedures 

CLEAN-UP If you use it, put it away properly. If you spill it, wipe it up. Clean at least one quarter of the worktable each day Do not leave a single thing on the table top (including eraser shreds, which you are expected to brush into the trash, not the floor) Put your chair up at the end of class Never leave anything in the sink 

HAVE FUN The goal of all my classes is to learn new skills and grow as an individual and an artist. If the above information is adhered to, we will have fun and learn at the same time. -remember, our focus is process before product.

Ceramics 2 Paleolithic Age 25,000-7,000 BC

The era of 35,000- 7,000 BC was known for it’s variety of man’s attempts to embody abstract and intangible concepts. The first project will focus students of the concept of Goddess. These are commonly referred to as Venus and often are constructed with exaggerated shapes. Students will follow the Frontier Visual Art Blog and follow the links to begin researching this era and the various incarnations that exist. Once students answer questions on the blog they will move on to begin sketching concepts which they will ultimately build and glaze. This first project reiterates basic drawing techniques which will be used in every project throughout this class. Students will be asked to follow the same process of documentation for each project as they did in Ceramics I. Students will create three different Goddesses and begin each piece by creating a sketch of their initial concept beginning with basic shapes and “sculpting” the details from that foundation. When this drawing is complete, they begin the construction of their work with white clay.

Begin your research here:

http://www.ancient-origins.net/ancient-places-europe/venus-figurines-european-paleolithic-era-001548

https://www.youtube.com/watch?v=IHsc1EIVY1Y


Please follow this blog and make a comment that you read and viewed the material which verifies your being able to communicate directly.  Once you enter your comment it WILL NOT immediately appear and will do so once approved by Mr. Purcell so please send one time only.

Elements and Principles of Art

Elements Of Art

Value- the degree of lightness or darkness of an object

Line- the path of a moving point through space

Shape- 2d area that is either organic or geometric.  Has height and width but no depth

Form- objects that have three dimensions

Color- derived from reflected light.  Has three properties:  Hue- names of the colors, Value- lightness or darkness  Intensity- purity of the hue or chrome

Texture- degree of roughness or smoothness of an object, can be tactile or visual

Space- referring to the emptiness or area between, around or within objects

Principles Of Art

Balance- the concern of equalizing or balancing visual forces or elements in a work of art

Movement- to create the look and feeling of action and guide the viewer’s eye through the work of art

Rhythm- Indicating movement by repetition of elements or objects

Pattern- two dimensional decorative visual repetition, pattern has no movement

Emphasis- making one part of a work dominant over the other parts

Contrast- Referring to the placement of opposites near one another.  This creates visual interest, drama and/or excitement

Unity- sense of wholeness in a work of art achieved through effective use of elements and principles of art.  Unity utilizes proximity, repetition and simplicity

Design final

Students will be exploring architectural design through the aesthetics of Frank Lloyd Wright's work.  Review the book, Frank Lloyd Wright A Gatefold Portfolio and focus on the homes he built.  
You are being given an unlimited budget to create a home in South Deerfield utilizing the qualities of FLW's work.  Create a general floorplan on 9 x 12 white paper using a ruler and any other technical tools necessary to create a clean general idea of the interior space. (examples below)

https://www.google.com/search?q=Frank+Lloyd+Wright+floor+plan+drawings&source=lnms&tbm=isch&sa=X&ved=0ahUKEwiq9d-Joa7UAhUENj4KHSfYCaEQ_AUICigB&biw=1279&bih=608&safe=active&ssui=on

Using two point perspective, create a full color rendering of the outside.  The finished product can be colored with either copics, watercolor or mixed media.

https://www.google.com/search?q=Frank+Lloyd+Wright+floor+plan+drawings&source=lnms&tbm=isch&sa=X&ved=0ahUKEwiq9d-Joa7UAhUENj4KHSfYCaEQ_AUICigB&biw=1279&bih=608&safe=active&ssui=on#safe=active&tbm=isch&q=Frank+Lloyd+Wright+exterior+house+renderings&imgrc=vbMWSCtjkpMTCM:

Part 2: Write a 2 page double spaced, 12 point font paper with an additional works cited page describing to your client 12 different ways that you have incorporated elements of FLW's work into their home.  Choose specifics, not opinions, but factual elements and the way they are utilized in his spaces.  An example would be the placement of a fireplace which could be in the center of the house, symbolizing warmth and the heart of the space.  
Please be on time (not two seconds after the bell, two minutes, two hours...) and ready to present when the bell rings.  Have papers printed ahead of time, not last minute in the LMC.  No late work or emailed papers will be accepted.  Know your subject as you will be asked questions regarding your justification for your design choices which will impact your grade.

paper 40%
art 50%
presentation 10%

Why use an underpainting?

http://www.jerrysartarama.com/blog/underpainting-why-you-need-to-do-it/

Ceramics final

2 page paper (double spaced and 12 point type with an additional works cited page) about an artist of your choice who works in any 3D medium. ( Do not serach 3D artists and choose an artist who does 2D art that looks 3D)  Artist must be approved by Mr. P before beginning. Paper is double spaced, listing all sources. Research the artist’s background and their body of work. What are they known for and why?  Explain what kind of  training they had, what medium(s) do they work in? What are their influences and why? Please bring in at least one printed full color image of their work to show the class so everyone leaves learning something about each student’s subject. No plagiarism of any kind as it will count as a zero.

Please be ready to present when the bell rings. (not two seconds, two minutes after the bell etc...)  Please do not wait until the last minute printing work out as you will surrender your spot to present and lose 10 points off your grade that you would earn for the presentation.  No emailed or late papers will be accepted.  Please get your work done ahead of time to avoid printers running out of ink, not working, dogs alleviating their hunger etc...

Final project counts as 20% of your grade so please make sure you know your material (including knowing how to correctly prounce your artist's name) as you will be asked questions.

Foundations final

final projects will be presented during the exam block.

Write (and type) a 2 page (or more) 12 point font, double spaced paper on an artist of your choice.The artist must be approved by mr. P before you begin. (do not chose artists like Van Gogh and Picasso that you already know.  Think about the kind of work you like and choose someone you connect with.  For example, if you like video games, find an artist who works in that industry.  We can use artists who are alive and social media can be a great tool to reach out an ask the artist him/herself questions)  If you can not find three different and substantial resources about your artist please find a different one. The artist can be from any era and work with any medium as long as they have contributed to the art world in a significant way. (please avoid writing a paper about an uncle who likes to paint etc…) 
Your paper should explain the art movement(s)/period the artist was involved in, their background/history and training, and what makes their work significant in the art world. Discuss why you chose this artist and find out about their creative process; what size was their work, how did they go about creating their work, what kind of subjects did he or she work with? Please include a works cited page.

Part two of this project is to create  a 9 x 12 or bigger painting (watercolor or acrylic) of your artist which accomplishes two objectives:
1)  an accurate likeness of your artist and 2) a strong demonstration of what their work looks like which should include as many elements of what exemplifies their work.  You may choose to focus on brushstrokes, color pallet, composition etc...

Presentations will be brief but please present to the class as though no one has any prior knowledge of the artist. You do not have to read the paper but give a well thought through synopsis along with the image. (it will be helpful to write an outline) You will likely be asked some basic questions as well so make sure you know your topic. (including knowing how to pronounce your artist's name.)

 Do not plagiarize in any way as it will result in a zero.
Be accountable and be on time, (meaning before the bell rings, not two seconds, minutes or hours after)  Papers need to be ready to hand in at the time of presentation.  Late papers (or emailed papers) will not be accepted.

This project counts for 20% of your grade! 

paper 50%

artwork 40%  

presentation-10%